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ID:861
Title: Musical Instrument Making, Markneukirchen, Germany - http://www.studia-instrumentorum.de/merz.htm
Description:The course of study Musical Instrument Making is accepting students in the departments of bowed string instrument making, plucked string instrument making and bow making.
Category:x Violin Making x: Violin Making Schools: Schools Germany
Link Owner:
Date Added:April 30, 2008 10:58:35 PM
Number Hits:6
Address:Adorfer Strasse 38
City:Markneukirchen
State:
Zip Code:08258
Phone Number:+49 37422 / 20 94
Map:


 
ARTICLES
Strings, standing waves and harmonics
How do we make musical sounds? To make a sound , we need something that vibrates. If we want to make musical notes you usually need the vibration to have an almost constant frequency: that means stable pitch. We also want a frequency that can be easily controlled by the player. In electronic instruments this is done with electric circuits or with clocks and memories. In non-electronic instruments, the stable, controlled vibration is produced by a standing wave.
Articulation and vibrato on the violin
Different bowing gestures or articulations give the violin a range of different sounds. The differences are chiefly in the transient sounds at the beginning and end of the notes, and in the envelope: the way the sound varies over time. These are illustrated with sound files and oscillograms.
ASA Summer School 2009
The Australian String Academy - Our upcoming Summer School will be held at the Sydney Conservatorium in January 2009, in the heart of the Sydney Harbour. ASA has invited four stellar international string personalties - Zakhar Bron (Russia) for violin, Nobuko Imai (Switzerland) for viola, Hans Jensen (USA) for cello, and Joel Quarrington (Canada) for bass.
Sergio Peresson
Sergio Peresson (1913-1991) was an Italian-born violin maker who is considered one of the most phenomenal makers of the 20th century. Born in 1913 in Udine, Italy, Sergio made his first violin in 1943 before moving to Caracas, Venezuela, in 1947. There he primarily did repair work for the Venezuelan Symphony Orchestra and had a modest production of new instruments. He moved to Philadelphia in 1963 and was employed by William Moennig and Son.